“About to pass me by, Elvis stopped, looked at me and said in his beautiful Mississippi drawl: ‘Son, you have an ob-leek sense of humor.’”

Steve Martin writes about his early experiments in comedy:

What if there were no punch lines? What if there were no indicators? What if I created tension and never released it? What if I headed for a climax, but all I delivered was an anticlimax? What would the audience do with all that tension? Theoretically, it would have to come out sometime. Steve MartinBut if I kept denying them the formality of a punch line, the audience would eventually pick their own place to laugh, essentially out of desperation. This type of laugh seemed stronger to me, as they would be laughing at something they chose, rather than being told exactly when to laugh.

To test my idea, I went onstage and began: “I’d like to open up with sort of a ‘funny comedy bit.’ This has really been a big one for me…it’s the one that put me where I am today. I’m sure most of you will recognize the title when I mention it; it’s the “Nose on Microphone” routine [pause for imagined applause]. And it’s always funny, no matter how many times you see it.”

I leaned in and placed my nose on the mike for a few long seconds. Then I stopped and took several bows, saying, “Thank you very much.” “That’s it?” they thought. Yes, that was it. The laugh came not then, but only after they realized I had already moved on to the next bit.

- Steve Martin, Smithsonian Magazine: Link.

Via Boing Boing.